The French Dispatch review: Wes Anderson loves The New Yorker and the New Wave
Wes Anderson’s meticulously crafted omnibus narrative The French Dispatch pushes his pursuit of splendor to new levels, but he struggles to make it a lot more than a visible exercise. His rotation as a result of a bevy of far-flung correspondents opens with a eulogy: Arthur Howitzer Jr. (Monthly bill Murray), primarily based on The…